It’s not often that I find myself shooting alongside another photographer. With the exception of sporting events, most of my assignments are solo affairs. It’s usually just me, and sometimes the reporter, and whatever event or person we’re covering that day.
So when I got two weeks of vacation to take a road trip to some great national parks with Michael, I was looking forward to seeing what our different creative eyes would come away with. Though we’ve both worked as photojournalists before (he at his college paper), he now works as a wedding photographer while I’m still at newspapers. I find my style is more photojournalistic, while his eye is more artistic.
We’ve been on many hikes, road trips and adventures together. We’ve even photographed a few weddings side-by-side. And I’ve often found myself marveling at the compositions he finds. This trip was no different. It feels as though a lot of this comes down to a willingness to experiment and look beyond the obvious. With newspapers, you are doing these things but you are also trying to communicate as much information as you can with one image, and it doesn’t always leave a lot of room for something out of the ordinary.
A lot of this is, I’m sure, my own worries. Yes, newspapers can be more traditional, but I also know that there are many fellow photojournalists who take chances with their images every day and come away with something beautiful. Whether it comes from the culture of their newsroom, personal drive, or some combination of the two, I’m not sure. It’s been a long while since I’ve had a photo editor that has encouraged me to push my boundaries and appreciated something a little different. Now that I’m really the only one approving my photos for (online) publication, I find I’m picking my compositions more conservatively. Perhaps it comes down to my own hesitation to push the boundaries of what can/should be published. I know what I like, but I pick the safer choice. Some of it is also me getting into a rut with my shooting style.
The point is, when I went on this trip I tried to let my eye wander a little more. I looked for something I may not have noticed before. I think having a bit of friendly competition helped. The first few days of the trip I’d come away from a scene sometimes a little frustrated that I couldn’t make something more out of it, already knowing I hadn’t got what I wanted, and then I’d see Michael’s frames and go, “…how?!” And it made me realize – we’re in the same place. We’re shooting with the same gear – passing back and forth two identical cameras with different lenses – and I’m still getting my ass kicked. Time to step it up.
So I did. Or I tried, at least. None of these photos are groundbreaking. They won’t make your jaw drop. But they did help me break out of a bit of a rut and attempt to capture the beauty of some of the places we saw. Now that I’m back to work, I’ve tried to bring some of that inspiration back with me.
Here’s a look at some of my favorite images from our National Parks trip. We had an ambitious schedule and a lot of hiking, but it was an amazing trip. I already miss the great outdoors.
Portland > Redwoods (CA) > Yosemite (CA) > Zion (UT) > Snow Canyon (UT) > Bryce Canyon (UT) > Provo (UT) > Grand Teton (WY) > Yellowstone (WY) > Sun Valley (ID) > Bend (OR) > Portland
As a footnote, there are two reasons for the title of this post. Often I write the title last, with whatever random phrase has popped into my head. This one partly refers to the gear we used. Michael and I shot this whole trip with a collection of prime lenses, and we were forever debating which one or two to take with us on hikes. Inevitably, we’d always wish we’d brought a different one or an additional focal length. Every time.
It was also inspired by (stolen from..?) an article I read on PDN about photo power couple Brinson + Banks. I’m no where near the skill level of either Kendrick Brinson or David Walter Banks, but these two really inspire me. I really enjoyed this read (here!) about their partnership, both personal and professional, and the advice they had to give about working as a photographer.